Unit 2 of 3 · B.Sc Textile Sem 4

Unit 2: Religion and the evolution of Indian art

Art Appreciation notes · PTU syllabus (BSTD 404-20)

3 min read3 topics9 exam questions
On this page
  1. Unit summary
  2. Religion and art
  3. Evolution of the human form: Indus Valley to Gupta
  4. Painting traditions
  5. Key terms
  6. Quick revision
  7. Important questions

Unit summary

Religion has been the strongest influence on Indian art, from sculpture to painting. This unit covers religion and art across Hinduism, Buddhism, Islam and Christianity, the evolution of the human form from the Indus Valley to the Gupta period, and painting traditions — manuscripts, Ajanta frescoes and Mughal and Islamic painting.

After this unit you can

  • Relate major religions to Indian art forms
  • Trace the evolution of the human figure in Indian sculpture
  • Describe the Ajanta paintings and manuscript traditions
  • Describe Mughal and Islamic painting

PTU syllabus topics

  • Religion and art across Hinduism
  • Buddhism
  • Islam and Christianity
  • evolution of the human form from the Indus Valley to the Gupta period
  • painting traditions (manuscripts, Ajanta frescoes, Mughal and Islamic painting)
ClassificationReligion and Indian art
Sacred art
  • Buddhist

    Stupas, Ajanta paintings, Buddha images

  • Hindu

    Temples, deity sculpture

  • Islamic

    Calligraphy, geometric patterns, mosques

  • Christian

    Churches, Goan art

1

Topic 1

Religion and art

ComparisonReligion and art
Art forms
Features

Hinduism

Temples, sculptures of deities, bronzes

Iconography — multiple arms, mudras, vahanas; Nataraja

Buddhism

Stupas, chaityas, viharas; Buddha images

Early aniconic symbols (wheel, footprints, Bodhi tree), later Buddha figures

Jainism

Temples (Dilwara, Ranakpur); manuscripts

Tirthankaras in meditation; Kalpasutra paintings

Islam

Mosques, tombs, calligraphy, arabesque

Geometric and floral patterns; no figures in religious spaces

Christianity

Churches of Goa and Kerala; murals

Baroque and Indo-Portuguese styles

2

Topic 2

Evolution of the human form: Indus Valley to Gupta

ProcessHuman figure in sculpture
  1. 1

    Indus Valley

    Dancing Girl (bronze, lost-wax), Priest-King (steatite) — naturalistic

  2. 2

    Mauryan

    Didarganj Yakshi — polished, full-bodied

  3. 3

    Shunga

    Yakshas and yakshis at Bharhut and Sanchi — flat, decorative

  4. 4

    Kushana — Gandhara

    Greek influence: wavy hair, drapery folds, moustache

  5. 5

    Kushana — Mathura

    Indigenous, red sandstone, fleshy and smiling

  6. 6

    Gupta

    Idealised spiritual form — transparent drapery, serene face (Sarnath Buddha)

3

Topic 3

Painting traditions

ComparisonPainting traditions
Period and technique
Features

Ajanta (2nd century BCE – 6th century CE)

Fresco-secco (tempera) murals in Buddhist caves, Maharashtra

Jataka tales; Padmapani Bodhisattva; graceful figures, natural colours

Pala manuscripts (Bengal, 8th–12th century)

Palm-leaf Buddhist manuscripts

Small figures, rich colours

Western Indian (Jain) manuscripts

Paper manuscripts (Kalpasutra)

Angular figures, protruding eye, red background

Mughal (16th–19th century)

Court ateliers under Akbar, Jahangir, Shah Jahan

Realistic portraits, nature studies, court scenes; Persian and European influences; Hamzanama

Rajput and Pahari

Rajasthan courts; Kangra and Basohli in the hills

Bright colours, Krishna themes, lyrical

  • Islamic art contributes calligraphy, geometric tessellations and floral arabesques — strong influences on Indian textiles (paisley, jaal patterns).

Key terms

Iconography
System of symbols identifying deities
Aniconic
Representing the divine without human form
Fresco
Painting on plaster
Hamzanama
Illustrated Mughal manuscript of Akbar's period
Arabesque
Flowing interlaced plant-based pattern

Quick revision

  • Hindu, Buddhist, Jain, Islamic, Christian art forms.
  • Indus Valley → Mauryan → Shunga → Gandhara and Mathura → Gupta.
  • Ajanta; Pala and Jain manuscripts; Mughal; Rajput and Pahari.

Important exam questions

Practice questions written to the PTU exam pattern for this unit's syllabus: short answers (Section A style) and long answers (Sections B and C style).

Short-answer questions

  1. Q1.What is aniconic Buddhist art?
  2. Q2.Name the bronze figure from the Indus Valley.
  3. Q3.How does Gandhara art differ from Mathura art?
  4. Q4.What do the Ajanta paintings depict?
  5. Q5.Name two features of Mughal painting.
  6. Q6.How has Islamic art influenced Indian textiles?

Long-answer questions

  1. Q1.Explain the role of religion in Indian art.
  2. Q2.Trace the evolution of the human form from the Indus Valley to the Gupta period.
  3. Q3.Describe the painting traditions of India.

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